Écho des Âmes · Resonance of the Soul
Group Exhibition
11 - 20 MAY 2026
Sol de Paris - 17 Rue Chapon, 75003 Paris, France
Organizer: Sol de Paris
Exhibition Introduction
Écho des Âmes · Resonance of the Soul brings together emerging international artists working across photography, painting, textile, mixed media and installation. United by a shared focus on the body, identity, perception, memory and inner experience, the exhibition explores how intimate, fragmented and sensory languages create quiet yet powerful resonances between the individual and the world.
Centered on themes of presence and absence, nature and structure, alienation and emotional tension, vulnerability and resilience, the exhibition invites viewers to encounter subtle expressions of the soul—introspective, sensitive and deeply felt. Through intuitive creation, careful observation and sensitive reconstruction, each artistic practice reclaims the body and everyday experience as vital sites of meaning, reflection and transformation.
Artists
Main Artists
Tremoring Steel
Guangyi Luo
Liu Yulin
Yurui Fan
Hongzhan Gao
Lu Yu
Fengliang Ye
Invited Artists
Elena Kovacs
Lucas Moreau
Sofia Lindström
Matteo Ricci
Selected Artworks
Artist: Tremoring Steel
Description
This series grows from the artist’s close dialogue with a pole dance community, centring authentic connections with performers. Addressing the stereotyping and objectification of pole dancers, the work reshapes how the body is seen. Slowed, near-static framing and multiple exposure fragment movement and challenge habitual ways of seeing. Drawing on Maurice Merleau-Ponty’s phenomenology of the body, the dancers are presented as subjects rather than objects. The work reclaims the body as an active site of expression and meaning, not passive spectacle.
Artist: Guangyi Luo
Description
Interwoven Shadow No.1 and No.5 extend Luo’s exploration of duality through textile patterns. Rooted in fashion and print, she transforms natural fragments into repeating visual systems, restructuring organic forms through rhythm, compression and iteration.
No.1 uses a warm, earthy palette recalling bark, soil and shadow. Repeated forms hover between figuration and abstraction, reflecting how ordering systems shape perception: the “natural” is always mediated by structure and repetition. Organic suggestion is held within a rigid grid, creating quiet instability.
No.5 adopts a sharper graphic language. Interlocking curves form wave-like structures that suggest flow while containing it. A cooler palette heightens this tension, systematising movement into near-mechanical rhythm. Repetition becomes a framework that channels natural energy into controlled pattern.
Rejecting textile as mere decoration, Luo uses pattern as a conceptual tool to examine how natural forms are translated, contained and redefined within human-made systems. Structure and freedom coexist not as opposites, but as interdependent forces shaping perception and identity
Artistic Statement
The artist takes unconventional fragmented segments of everyday life as the core creative motif. Adopting a fragmented perspective, he intercepts alienated, ambiguous, absurd and widely overlooked marginal fragments hidden in ordinary daily scenes.
He conducts subjective deconstruction and artistic reconstruction of these daily fragments within the pictorial space. Weakening conventional plot-based narrative logic, he intentionally amplifies the sense of blankness, spatial confinement, and inner emotional tension across the canvas.
Centering on the spiritual cracks and existential alienation latent beneath the triviality of mundane modern life, the practice delivers a subtle aesthetic reflection on the contemporary daily order through restrained, introverted and highly concentrated painterly language.
Selected Artist Highlights
Tremoring Steel
London-based artist and photographer exploring presence, absence, and the body as a site of experience. Working intuitively through movement-based collaboration, she challenges objectifying gazes and reclaims the body as an active subject of expression.
Guangyi Luo
Visual artist with a background in fashion design and textile printmaking. Her practice explores tensions between nature, structure, and personal identity through intuitive abstraction, transforming organic observation into layered, conceptually charged textile works.
Liu Yulin
Born in China in 2001, currently a postgraduate student in Visual Arts at the Brera Academy of Fine Arts, Milan. Working in oil painting, he focuses on fragmented everyday scenes, spatial confinement, and existential alienation, using restrained, concentrated language to reflect modern inner experience.
Fan Yurui
As the pioneer of the scratch painting technique in China, Fan Yurui has established a distinctive artistic benchmark in the innovation of painting materials and expressive language. Her work transcends the boundaries of traditional painting media, organically integrating tools, materials, and thematic expression to form a visual language that embodies both Eastern aesthetic qualities and contemporary experimental spirit. This continuous exploration of the essence of art demonstrates the artist’s dual awareness on both formal and spiritual levels. Her representative works Stream, Blazing Sun, and Sacred Mountain have received multiple awards at major art exhibitions across Europe and the United States.
Gao Hongzhan
As age advances, one begins to reminisce about the past—from the joys and sorrows of childhood to those of middle age. Life is vast like the sea, yet innocence still remains…
These emotions are embedded in a set of personal visual symbols: waves, withered branches, balloons, clusters of flowers, and rippling water. The joy of running through waves in youth, the quiet sorrow of bending down to pick flowers in early adulthood, the anger of embracing solitude in the wilderness, and the calm acceptance of standing quietly against a wall in middle age—all are captured through the lens. The work neither deliberately embellishes emotion nor avoids the imperfections of life. Through a highly personal visual language, the images become a thread that connects the trajectory of one’s life.
Ye Fengliang
Long engaged in the planning and execution of international land art projects, Ye Fengliang is best known for the Waiting for the Wind series, with works that have received awards at major art exhibitions across Europe and the United States.
Between desolation and silence, the body encounters the earth.
Cracked soil, vast waters, and dormant vegetation—these are not merely backgrounds, but another form of language.
From the perspective of land art, the body is embedded into nature:
skin merging with soil, breath resonating with the wind.
In the moment when the boundary between human and land dissolves,
we hear the pulse of the earth, and the echo within ourselves.
It is both an inquiry into existence and a tribute to life.
Perhaps only when we lose ourselves in the earth
can we truly find who we are.
Yu Lu
The black-and-white filter captures more than just the image—it preserves the untamed love growing freely in the wilderness. From exchanged smiles to silhouettes walking side by side, each frame becomes the prologue to our shared story.
We once believed love was about “searching,” only to realize later that it is about “encounter”—meeting destiny at an unexpected corner, colliding fully into what was meant to be.
Love is not roses and promises, but like the roots of two trees, quietly intertwining underground, allowing each other to grow taller.
We once doubted that love was a “fiction,” until you appeared—then we understood it is “real”: the rhythm of a heartbeat, the cadence of breath.
Love is not a fairy tale of princes and princesses, but two ordinary people who, in the course of everyday life, cherish each other into becoming like children again.
As we grow older, we witness more of the complexities of human relationships, yet forget that what gives humanity its true value is simply the presence of feeling—of love itself…
